In my Mother’s Garden, Autumn 2011
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I’ve recently had some unexpected time at home which has
given me the opportunity to catch up on a few joiners that I had shot in the
past but never found the time to finish off as completed images. Up until this
summer I used Photoshop to build my joiners which has worked well enough, but
does place rather heavy demands on the computer in terms of disk, RAM &
processor performance. But increasingly, I’ve been experimenting with
Lightroom, and now have a pretty reliable alternative way of building still movies.
This newer method centres around the use of the Print module, which allows me
to build and re-edit multi-cell images with very little in the way of computer
resources. Lightroom is a parametric, metadata driven editing system unlike
most others including Photoshop, which work on pixel by pixel editing. The
upshot of this is that the final size of the completed joiner does not have to
be considered until the very end of the project. Very high resolution, very
large print size images can be prepared as easily as small web based output;
they just take a little longer to be processed.
Crucially, since the arrival of Lightroom 4 I can now save my
print layouts and revisit them at any time, unlike in Lightroom 3. There are
some weaknesses in the method; I would dearly love to be able to zoom into the
display in the print module, and it would be great if I could use the Develop
module functionality whilst still displaying the Print module view. But
overall, using Lightroom is a much quicker and freer way of constructing
joiners than using Photoshop.
Lightroom became my editor of choice about a year ago. Prior
to that I was using Photoshop but rarely left Camera Raw when editing my
pictures, so the transition to Lightroom was fairly easy and obvious.
The picture above is made up of photos taken a year ago on
my LX3 compact. I wish I had found time to put it together sooner as I’m quite
pleased with the result. The individual cells were taken with the lens set at a
focal length equivalent to 60mm in 35mm film terms. If I were to reshoot in the future I would probably
use the G3/Olympus 45 combination which would give small cell sizes, but I
think the picture holds together well with only four cells height. It reminds
me that pictures can be made whatever the weather; blue skies and bright
sunshine are not a pre-requisite for a a successful image.
In my Mother’s Garden, as Seen Through the Bathroom Window, Autumn 2011
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