Art book and photo books have been occupying my thoughts a
fair bit over the past few weeks. The Guardian this weekend had two interesting articles and a photo gallery which seems based in large part on some of
material from the Guardian Photobook Masterclass that I attended back in
February. One of the small galleries in Winchester has just staged a small (but
perfectly formed) exhibition of artists’ books, and I’m waiting for a Blurb
book that I created from a small body of work created this Easter.
Books in contrast are designed to
be touched, held, turned. A book is
intimate, and a well-crafted book is a pleasure to handle and to own.
Oftentimes, and particularly with photography, it is the book that is the
artwork, the finished article. Frank’s The
Americans and Klein’s Life Is Good & Good for You in New York
were first and foremost books and not gallery shows. Indeed, Christina de Middel
is nominated for this year’s Deutsche Börse Prize on account of her book The Afronauts as was Rinko Kawauchi in 2012 for Illuminance. One of the joys of the Afronauts was the feel of the
book. From the stiff, buff cardboard covers, the matte paper, and the
onion-skin diagrams and ‘handwritten’ letters interleaved between the photos,
the book informed through the fingertips as much as by eye.
For these reasons it was a
pleasure to take in a small exhibition Books by Artists at the City Space, a small gallery that is part of Winchester’s
Discovery Centre. This is a wonderful display of just some of the handmade
artists’ books from the Artists’ Books Collection belonging to the University
of Southampton, and housed at the Winchester School of Art. There are
concertina books, hand-sewn books, pop-up construction, books with heavy wooden
covers, photobooks and amazing feats of paper engineering. All of them were
delightful and inspirational. The exhibition of about 50 works was divided up
into several sections – fabric and textiles, text based, 3D and sculptural
approaches, connections with the land or locale and so on. Most of the books
presented were handmade one-offs or from very small runs, showing a very high
level of craft skills. A great deal of imagination had gone into many of the
works shown, by artist who were clearly thing ‘out of the book’. By necessity
all the books were enclosed in glass cabinets. However, for an exhibition
intended to inspire it did seem rather unnecessary though to deny the taking
photographs as an aide memoire.
The Books by Artists show has now closed, but for those that were unable to visit, the WSA Artists’ Book Collection
is supported by some useful online resources about artists’ books. A nice booklet
describing the WSA Library’s Artists’ Books Collection accompanied the
exhibition, which can be downloaded as a PDF.
1 comment:
My colleague Linda at WSA library will be pleased to hear you liked the exhibition. Knitting patterns and artists' books are her passion. As far as I know, no-one has yet knitted an artist's book, but it's not outside the realm of possibilities...
Mike
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